Tag Archives: Hercule Poirot

Swan Song

How do you say goodbye to a beloved detective? Agatha Christie, of course, made a mystery out of it.

Thanks to my guest, Mark Aldridge. You can find out more about his work at markaldridge.info and order a copy of his new book, Agatha Christie’s Poirot: The Greatest Detective in the World, from all good booksellers.

Spoiler warning: there are major spoilers for Curtain and Sleeping Murder by Agatha Christie in this episode.

Books mentioned and other sources:

Sleeping Murder by Agatha Christie

Curtain by Agatha Christie

The Mysterious Affair at Styles by Agatha Christie

The Secret Adversary by Agatha Christie

The Thirteen Problems by Agatha Christie

The Murder at the Vicarage by Agatha Christie

“The Dispenser” episode about Agatha Christie’s wartime hospital work

An Autobiography by Agatha Christie

Evil Under The Sun by Agatha Christie

Five Little Pigs by Agatha Christie

The Body in the Library by Agatha Christie

The Labours of Hercules by Agatha Christie

Dumb Witness by Agatha Christie

Agatha Christie’s Complete Secret Notebooks by John Curran

The Moving Finger by Agatha Christie

Taken at the Flood by Agatha Christie

Nemesis by Agatha Christie

Elephants Can Remember by Agatha Christie

Postern of Fate by Agatha Christie

“A Christie for Christmas” episode about Agatha Christie’s seasonal publication schedule

“Hercule Poirot is Dead; Famed Belgian Detective”: obituary in the New York Times, 6th August 1975

Cover Her Face by P.D. James

The Murder of Roger Ackroyd by Agatha Christie

Ronald Knox’s “Ten Commandments” for detective fiction, also discussed on “The Rules” episode of the podcast

NB: Links to Blackwell’s are affiliate links, meaning that the podcast receives a small commission when you purchase a book there (the price remains the same for you). Blackwell’s is a UK independent bookselling chain that ships internationally at no extra charge.

Thanks to today’s sponsor, Best Fiends. You can download Best Fiends free on the Apple App Store or Google Play.

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Find a full transcript of this episode at shedunnitshow.com/swansongtranscript

Music by Audioblocks and Blue Dot Sessions. See shedunnitshow.com/musiccredits for more details.

Swan Song Transcript

Caroline: Detectives have to be fundamentally infallible. On their journey to a mystery’s solution they can be fragile, or flawed, or unreliable, or uncertain, but the reader has to be able to rely on the sleuth to find a satisfactory answer in the end. It’s a fundamental part of what makes a whodunnit work. After… Continue Reading

The Other Detectives Transcript

Caroline: Some sleuths need no introduction. They are constantly re-incarnated on television, on stage, in films, in new novels. Fans pore over the books and stories in which they appear, passionately discussing and dissecting new interpretations. Characters like Hercule Poirot, Peter Wimsey, Roger Sheringham, Jane Marple, Father Brown and others may have been created 80… Continue Reading

The Rules Transcript

Caroline: A good detective story has a recognisable rhythm. The plot might have unexpected twists and the characters can surprise you, but there are certain structures and tropes that recur through much of the crime fiction from the first half of the twentieth century. Some of them have been parodied to the point of cliche, such… Continue Reading

The Rules

A good detective story has a recognisable rhythm and plot points. But how did these tropes come about? And what happens when you break the rules? Find more information about this episode and links to the books discussed at shedunnitshow.com/therules. The podcast is on Twitter, Facebook, Tumblr and Instagram as @ShedunnitShow, and you can find… Continue Reading

Adaptations Transcript

Caroline: We think about murder mysteries as “page turners”. For lots of fans, the physical act of reading these books, of racing through the story and seeing the number of unread pages dwindling towards the solution is part of the joy. But for a great many people, their main contact with detective fiction — in… Continue Reading

Adaptations (with Sarah Phelps)

For many people, their main contact with detective fiction is via film and television adaptations. For a huge global audience, Agatha Christie’s work is as often watched as it is read. Any new production is greeted with intense scrutiny, so what is it really like to adapt these stories? Screenwriter Sarah Phelps, the woman behind the… Continue Reading